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Caricatures of Charles Darwin and his evolutionary theory in 19th-century England : ウィキペディア英語版 | Caricatures of Charles Darwin and his evolutionary theory in 19th-century England
Before Charles Darwin and his groundbreaking theory of evolution, primates were mainly used as caricatures of human nature. Although comparisons between man and animal are rather old, it was not until the findings of science that mankind recognised itself as a part of the animal kingdom.〔Cf. Andreas Blühm and Louise Lippincott, ''Tierschau. Wie unser Bild vom Tier entstand'' (Köln: Wallraf-Richartz-Museum & Fondation Corboud, 2007), 14.〕 Caricatures of Darwin and his evolutionary theory reveal how closely science was intertwined with both the arts and the public during the Victorian era.〔Diana Donald, introduction to ''Endless Forms. Charles Darwin, Natural Science and the Visual Arts'', ed. Diana Donald and Jane Munro (Cambridge: Fitzwilliam Museum, 2009), 1.〕 They display the general perception of Darwin, his “monkey theory”〔Julia Voss, “Monkeys, Apes and Evolutionary Theory: from Human Descent to King Kong,” ''Endless Forms. Charles Darwin, Natural Science and the Visual Arts'', ed. Diana Donald and Jane Munro (Cambridge: Fitzwilliam Museum, 2009), 222.〕 and apes in 19th-century England. == Image description ==
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